Chris Brogan on Twitter Lists

I just took a look into creating my first ever Twitter list. I’m listed on over 1500 at this writing, so I figured I’d give it a go. Immediately, I realized what I’m not going to like about them: they will exclude people. Sure, on the one hand, they’re a great way to group people and information together. For instance, I might make a list for news feeds. I might make a list about travel, like hotels and airlines.

But the minute you move into the people department, things get sketchy quick.

twitter list In talking with friends about it on Twitter, people immediately started DM-ing me, telling me that they felt left out or even LESS important because they weren’t on any lists. Lists are exclusionary by nature. They’re static. There’s a lot of reasons why they might not be all that pleasant for people.

I think there are some uses that are important, but for the most part, the way I’m going to deal with my listmaking is in private, so that people don’t feel left out or less important, or whatever else they’re going to feel. Man, it stinks feeling left out.


 

I just started playing with twitter lists as well and I share Chris' dilemma as to whether or not to include everybody on a certain list since I didn't want to indirectly offend anyone. I also had trouble deciding whether to group people by location, topic, or just include them on both lists. As Chris mentions above, I decided to keep some of my lists private, but I left a couple of them public to see if anyone has any feeback or to see if anyone has a desire to follow one of my lists. Amber Naslund tweeted about her initial dislike of this new twitter function, and from a social CRM perspective, there doesn't seem to be a lot that you can do with these lists at first glance (i.e. filter, classify, add sentiment etc.)

I haven't looked at other people's lists quite yet, but maybe I should check out how Scobleizer is using them since he had a great posterous post on what he likes about them. Since most people like reading lists of any kind (i.e. Letterman's Top Ten List), and since most web writing experts encourage us to use lists to generate blog post views, I suspect that twitter lists will be a popular feature. I was initially excited about them, but only time will tell if I spend the time to add and refine my lists, follow or favorite other twitter lists, or if I just ignore this feature altogether.

Nicholas Carr on The Beatles: Rock Band

Check out the Rough Type blog post on the upcoming release of The Beatles: Rock Band, which is slated for 09-09-09 (number 9, number 9). Nick summarizes the current zeitgeist about this product quite nicely, quoting the opposing sides of the debate, which is mainly on how this game will affect the musical, cultural landscape. Personally, I do find the current rock band series a bit dark in places; nonetheless, I have played it and it is a fun experience and a great diversion, especially when played with friends.

To Nick's question, how will we really view this rock band phenomenon in a few years? At the rate that the technological landscape changes these days, and as the human/technological divide continues to narrow, I guess we might laugh at ourselves for having spent hours on end for playing what amounts to "air guitar" in our living rooms. But take a look at that trailer, it is pretty impressive. If it helps to revitalize the music and the history of the band, then it can't be all bad. Nick does have some harsh words for the phenonemon, but he does make some excellent points too. Definitely take the time to read it.

But, like paint-by-number, Rock Band is also a metaphor. As even a cursory glance at our cultural touchstones will tell you, we live in an Age of Vampires, and The Beatles™: Rock Band™ is nothing if not vampiric. Take another gander at that YouTube trailer. What's creepy about the game isn't the faux guitar necks with the color-coded digital frets (that's just rock-by-number). It isn't even the waxworks avatars (though they are certainly ghoulish). No, what's creepy about it is its cynical, paint-by-number rendering of sixties counterculture, from, progressively, the Ed Sullivan go-go soundstage to the trippy mindscapes of psychedelia to the flowerchild fields of the hippies.

Given that our culture is fundamentally consumerist, every countercultural movement is by definition anti-consumerist, a quixotic attempt to create an imaginary space that exists outside of and in opposition to the marketplace. Counterculturalism is a doomed attempt to maintain innocence in the face of the market's all-consuming cynicism. Once the Beatles, and particularly John Lennon, became aware of their power, they dedicated themselves to sustaining the countercultural dream of the sixties, even after the dream had evaporated. Rock Band in general, though especially the Beatles edition, makes a particularly good vampire. The blood it sucks is the blood of the innocent.

Lions win pre-season opener against Falcons 27-26

Matthew Stafford threw a touchdown, an interception and had some passes dropped in his debut with the Detroit Lions.

Jason Hanson's 47-yard field goal as time expired lifted Detroit to a 27-26 win over the Atlanta Falcons in the preseason opener for both teams.

Stafford, the No. 1 pick of the NFL's first 0-16 team, completed half of his 14 passes for 114 yards, with a 25-yard TD to fellow rookie Derrick Williams and an interception that Tony Gilbert returned for a score. Keary Colbert dropped Stafford's first pass and two more.

The Lions finally won a game! Too bad it was only the pre-season opener.

 

Storytelling and social media

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I always enjoy reading blog posts from Matt Rhodes. He has a knack for presenting social media ideas in a way that resonates with me. Here is an excerpt from the article; make sure to read the rest of it to see Matt's real world example of social media storytelling.

Storytelling is the most powerful driver of engagement in social media. Just as good stories provide the momentum for great books and great speeches, they’re also the impetus for the best in social media.

Storytelling as a tool has been well understood and consciously used by salespeople for decades. What I find surprising is that whilst it’s also been used by marketeers for a long time, it really only hit mainstream marketing theory in the last naughties. I assume the sudden rise comes from it’s ties to social media and conversational marketing made famous by The Cluetrain Manifesto. – I’d be interested to hear your thoughts.

Beating the Sophomore Slump

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Leif Enger, a Minnesota native, has recently released his second novel So Brave, Young, and Handsome. His first novel Peace Like a River was a giant success; undoubtedly, Enger was feeling the pressure when he penned the follow-up to his bestseller. Prior to buying this novel, I had read a review that indicated that Enger interweaves his struggles with writing  a novel into the narrative. Having read a third of it already, the story does reflect how the protagonist Monte Beckett is himself a writer under pressure to repeat the successes of his original novel. Some might think that this self-referential theme is too pompous, or may overwhelm the story, but to me it is a window into how an artist disciplines himself in making the best art possible; Monte is not content in just replicating the original work.

Monte is tasked by his wife to write a thousand words a day, and he fails continually in meeting that goal. He has also failed at producing a second novel after several years of abandoning half-finished stories. Personally, I can identify with this character; what artist hasn’t given up on a work that originally showed promise? What was originally truly inspring ends up being mediocre at best. Many songs that I have introduced to the band have not stood the test of time, forcing me to rewrite it or to altogether abandon it. Monte ends up leaving the adventures from the page and is drawn to a real-life adventure with a shady, yet generous character named Glendon Hale.

Glendon is the romantic, archetypal cowboy who is looking to win back the love of his wife back in Mexico. Monte follows him on his travels. Since we incorporated a lead singer into the band, I have become intrigued by the story of the band and the appeal of the singer than with writing new material. Actually, I’m still writing songs, but they are informed by the presence of someone who might be singing lead or harmony. This may help me get out my own sophomore slump and help revive some of the old songs. Enger must have done a lot of thinking on writing itself and on its many forms. I quite enjoy the short chapters in the book as they read like individual blog posts. That was definitely a conscious decision on the author’s part with the short attention span of the current culture.

I look forward to the summer read and hopefully I will blog about it some more when I finish the novel. My recent study of Robertson Davies’ novel Fifth Business has helped me to understand more about archetypes, and I think the character of the reluctant Glendon Hale is a refreshing take on the mystique of the cowboy. It hasn’t been your typical shoot em up Western a la Louis L’amour, and I like how those motifs are in the fringes of the story. There is also a strong spiritual theme of forgiveness and grace that is emerging in the story, which is contrasted nicely with the more rugged themes of the Old West. I think Leif Enger has beaten the sophomore slump and he is an author to watch out for in the coming years..